On View

IYP X Documenta 14, Museum Fridericianum, Kassel

Antidoron. The EMST collection at museum Fridericianum

Curated by: Katerina Koskina

10.06.2017 - 17.09.2017

ANTIDORON. The EMST Collection at Museum Fridericianum, part of documenta 14, marks the first extensive presentation of the collection of the EMST–National Museum of Contemporary Art, Athens. A mutually decided double displacement renders EMST’s new home, the renovated building of the former Fix brewery, one of the main venues of documenta 14 in Athens; in Kassel the Fridericianum, traditionally the centerpiece of documenta, as the temporary home of EMST’s collection. With this collaboration, documenta 14 and EMST strengthen each other’s public engagement, captured in the working title Learning from Athens as well as in the museum’s annual exhibition series, initiated in 2016, entitled EMST in the World. This exchange allows both institutions to discover more about their diverse missions and common goals, and to strengthen their links to showcase the social role of art and its capacity to denounce, to transform, and also to heal our traumatized world.

EMST’s collection includes more than 1,100 works from the 1960s onward. The exhibition at the Fridericianum is an adapted version of an extensive museological study which will be implemented in full at the official opening of EMST. The exhibition deals with issues of border crossings, diasporas, cultural exchange, existential quests, and mythologies, as well as personal and collective memories. While maintaining its international scope, the exhibition emphasizes the presence of pioneering Greek artists, highlighting and revisiting their national and international journeys.

ANTIDORON. The EMST Collection presents a selection of the EMST’s permanent collection in the Fridericianum, the birthplace of documenta and the first public museum in Europe. It negotiates concepts such as sharing, offering Antidoron (αντίδωρον, literally the return of a gift) or Antidanion (αντιδάνειo, the return of a loan either linguistic, cultural, or nancial). The prefix “anti” reveals a distinct position and consequently a view, not necessarily opposed to, but departing from a different point in order to communicate, to argue, to bridge, to converge, and to accept each others’ stances.

The title embodies the mutual respect of both institutions, independently of their diverse commitments, to discourse and to reinterpreting essential issues and visual language. The Fridericianum’s brief tenure as Germany’s first parliamentary building makes it the most appropriate venue in which to show the works of several artists related to the troubled post-war era, the dictatorship in Greece, and the years after. Additionally, this exhibition follows the path of contemporary art internationally, examining its relationship with artists, in Greece and abroad, who kept in line with the principles and the values of classical Greek civilization and philosophy. Further and foremost, it attempts to reveal the complexity of the social, political, nancial, and environmental situation, and the need for a new humanism.

 

EMST wishes to thank, sincerely and warmly, Adam Szymczyk, whose choice to learn from Athens led to an important cooperation and drove us to learn a lot from Kassel. This significant collaboration came at a moment when the museum embarked on a new journey, EMST in the World. Without the substantial contribution of documenta 14 and support of its exceptional team, our journey from Athens to Kassel would not have been realized.

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Maria Loizidou (b. 1958)
Collective Autobiography, 2013
Cypress wood closet & mixed media installation
220 x 160 x 140 cm

Irene Y. Panagopoulos Collection
Courtesy Kalfayan Galleries, Athens – Thessaloniki

Alexis Akrithakis (1939-1994)
8 Suitcases with rubbish from a beach, 1972
Mixed media wood & metal
40 x 41 cm each

Irene Y. Panagopoulos Collection
Courtesy Kalfayan Galleries, Athens – Thessaloniki

Lynda Benglis  (b. 1941)
Knossos, 1978
Painted plaster with metal wire support
154.3 x 52 cm

Irene Y. Panagopoulos Collection
Courtesy Kalfayan Galleries, Athens – Thessaloniki

Alexis Akrithakis  (1939-1994)
Suitcase with beer cans, 1972
Mixed media
20 x 22 cm

Irene Y. Panagopoulos Collection
Courtesy Kalfayan Galleries, Athens – Thessaloniki

Nina Papaconstantinou (b. 1968)
Diary (Robinson Crusoe), 2008
Book of 115 pages, paper, thread, leather, gold leaf
22 x 22 x 6 cm

Irene Y. Panagopoulos Collection
Courtesy Kalfayan Galleries, Athens – Thessaloniki

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